Adobe Inc. (ADBE) Earnings Call Transcript
October 14, 2024
Earnings Call Speaker Segments
Welcome, everyone, to Adobe MAX 2024 Investor Update. It's great to see so many friendly faces here from the investment community, some of our Board members in the back. Welcome. Thanks for coming. Just curious, show of hands, how many of you were at the keynote this morning? Awesome. Okay. It's a tough act to follow when my big [Audio Gap] Go through from the stage. So with that, I'm going to jump into the legal disclaimer. If you would go to -- that's -- Joe, you might need to hard-code the -- oh, there we go. So the statements we'll be making today do involve forward-looking statements that involve risk, uncertainty and assumptions. Actual results could materially differ from those set forth in these statements, so please look at our risk factors. We'll also be including GAAP and non-GAAP financial metrics. So please look at the reconciliation that will be on the posted version of this deck, which you'll find on the IR website. Now mind the distraction. But I know what you're all thinking: "Wow, Vaas, you really nailed that legal disclaimer." I didn't go to law school for the good company years ago. It was really to stick the landing on the legalese like I just did. Many of you may have heard, I have decided to go back to my roots into the legal profession. So this is the last time I get to read these words. I'm going to go back to drafting them instead down the road. So it's been almost 14 years at Adobe for me. This is my fifth MAX as the Head of IR. And what an honor it's been. It's not my last MAX overall because I'm convinced I'll be back as a paying customer down the road. But I did want to quickly introduce Steve Day, who's going to be Interim Head of IR. Steve will come up at the end, so you all get to hear him speak briefly. He's much more charming than I am. But thank you, Steve, and sorry. And then I'm going to toss it over to the executive team again to walk through a brief presentation, and then I'll be back up here taking Q&A.
Thanks, Jonathan. And I'd be remiss if I didn't start off by thanking Jonathan for 14 incredible years. As befitting the new role that he's going to take, he actually drafted an entire document for me about his memories of his time at Adobe. And there were some very meaningful words that he said. But thank you, Jonathan, and certainly wishing you all the best. Thank you all for joining us, yes. Thank you all for joining us as well today. As Jonathan said, I think the primary purpose of this is to spend some time answering questions. But given as part of the feedback that we get in talking to both folks on the buy side and the sell side, I thought I just start off by making a few comments, I think everybody else will, and then we'll open it up for questions. But let me just start off by saying I'm incredibly proud of the amount of innovation that we've delivered. I know a lot of the questions that came up when AI first burst on the scene was what is Adobe going to do in terms of harnessing the power of that? And is that accretive to the company's opportunity? We certainly believe that it is. And if you take a step back, I think we've talked about the fact that, from our perspective, there are 3 layers to what we're doing as it relates to AI. We're focused on data. Very, very differentiated in that we are designing all our models to be commercially safe, something that actually is very important to all enterprises. I know a lot of you are also working for large enterprises, and they don't want to use models that are not designed to be commercially safe. We were very clear strategically about the areas where we would have to invest in our own models, both for the flexibility that it provided as well as the controllability. And as we challenged our engineers to focus on designing these models and creating these models with data that was fully licensed and/or public domain, we said models as it relates to imaging or video or design or vector are certainly things that we should have under the Firefly family of models. I know David will talk a little bit more to the numbers. But fundamentally, we believe that the way people get value out of all of this is in the interface layer and ensuring that our applications embrace AI to allow people to do magical stuff. And I think you saw a significant amount of that today. The term generative, something is now fast becoming the win, which we talk about it, whether it's Generative Extend in Premiere, Generative Fill, Generative Recolor. And if you look at it across all our products, whether they be AI-first products where we are completely conceptualizing it differently in terms of how people use the products, or whether it's embracing AI, I think we've done an absolutely spectacular job on that. And all of the innovation that you hear about is released almost on the same day. So that's the first thing I wanted to mention. Acrobat and AI Assistant is also clearly been one of the ways in which we've embraced it, and building on what we had done with Liquid Mode. And so -- and then the third thing I'd probably say is in Anil's business as we talk about what's happened on the Adobe Experience platform with AEM, the Experience Manager, we've certainly embraced it with the system so you can help build web pages faster. Think about it as different conversational interfaces that we are going to champion. So the way in which any one of you experience a website in the future is going to be different. And we think we have the lead on that, certainly with the Adobe Experience platform and being able to use it. But I think the other benefit of what we've done in AI with products like GenStudio, and it was great to see GenStudio for Performance Marketing being released today, is really leverage all of the different solutions that we have in order to make our products be incredibly differentiated. And so when you think about how the world is producing any piece of content, we just look at what you can do with GenStudio, whether it's on the creation and production side, whether it's on the workflow, whether it's how all these assets are managed, how they are activated, and the performance and analysis associated with that. So really excited about the potential for GenStudio. We've talked about the excitement that we had for the Adobe Experience Platform which is certainly playing out. In my mind, this one can be an even larger opportunity for Adobe. So I thought I just mention that. But I think we've done a great job on the innovation. I think as part of the AI innovation as well, I know one question that's top of mind for a lot of you is how are you monetizing it? And the good news is we are monetizing it in many ways, and I think Dan will continue to touch on that. But just to give you a flavor. Certainly, I think as part of the subscriptions that we have and the tiering of the subscriptions in Creative Cloud and Document Cloud, we are embedding a lot of the capabilities for AI because we want people to embrace it. We want it to be useful. We want it to drive further retention and engagement with our customers. So at the base layer, the fact is that our tiering for subscriptions have it. We've done add-ons. I mean, we certainly have add-on offerings for both Creative Cloud as well as Document Cloud. That's the AI Assistant part that I talked about. And we will continue to see that. I know there'll be a lot of questions perhaps about video, so I won't answer that right now. But that, you can also imagine as an additional offering. I think the third way in addition to subscriptions and add-on offerings is everything that we're doing in Digital Experience. So we have a tiering of our Digital Experience solutions as well. And I think the Ultimate offer in the Prime, those are ways in which the higher-priced offerings are already embedding our AI functionality. And they have more value, and those are ways in which we are monetizing it. And last but not least, I mean, some of these new things that we've done, whether it's GenStudio that I touched on briefly or Firefly Services, that's again a brand new way of monetizing it. We've seen a lot of success with Firefly Services, custom models, and I think you're going to touch on that as well. So I just wanted to touch on the AI innovation has already been accompanied by a significant amount of thought, but we're also experimenting. As you can see, the amount of innovation that we've done today, whether it's with new or concept. So we're still early in terms of thinking about how we make sure that we innovate at the pace at which we want to and figure out how we can innovate it at that pace. So that's a little bit on the innovation. And then as you think about it and take a step back on what our revenue numbers are for the entire year and how we've done that, I think that's on the next slide. Just a way to look at it and say, this was the fiscal 2024 recap. I wanted to highlight what we had as our FY '24 targets when we met with you folks in December, what we updated in June. And top to bottom, we're in a position to beat and exceed all of them. So I feel good about how, fiscally as well, that has played out. But today is about MAX. We wanted to touch a little bit more on MAX, so I'll let David touch on MAX.
That was great. First of all, thrilled to see how many of you were at MAX. But for those who are online and a few of you who didn't attend, really, I said it on stage, but I mean it really is one of my favorite times of the year, put it up there with all the family holidays, because it does feel like a family and a community getting back together, right? And that's really the wonderful thing about getting all of these creative -- incredible creative minds together. So 10,000 people attending this year. We have over 200 sessions, over 200 speakers, and the energy is just fantastic. We've been -- what's also great is we have so many of our product teams here. And so the product team and the design team get a chance to talk directly with their users and start to think about what we're going to put into the hopper throughout the next year and going into MAX. A couple of other things that are amazing about the reach that we get from MAX. We expect to see hundreds of thousands of views online for MAX over the course of the next few weeks. And then on top of all that, this is really -- we organize the show and we try to put everything together so that they're -- that we can atomize it and really leverage social. So we expect to see about 0.5 billion interactions around the content on social over the course of the next few weeks or month. And what -- that foundation is really around how we set the tone from where we are and where we're going. And so if you noted in the context of the keynote, we really tried to evolve the conversation with creatives. Of course, what Adobe has been always known for, for many decades is around helping you create with more productivity. And we had some great announcements. I always love the reaction from the Illustrator crew. When we did objects in the past, I think someone might have fainted. Like there was all kinds of like excitement in the audience, but it was great to see because it really fundamentally changes and saves them their nights and weekends. Don't worry, no one was hurt watching the show. But beyond that, we have all the capabilities around generative AI coming into everything from Illustrator to Photoshop, Lightroom and Premiere. And those foundations of creation made a big difference, right? The other big announcement today was obviously video generation model, and I'll talk a little bit more about that in a second. But beyond creation, we really have been over the course of the last few years shifting to the right, moving into collaboration. Because when you create that content, what you do with that content is going to fundamentally change the shape of the business you're trying to support, right? And so whether it's about collaborating with other creatives and/or stakeholders around sharing and reviewing of content when you have to generate content quickly with Frame; or whether it's about enabling more self-service activation; whether it's with HR or sales or marketing or comms through Express, and how creatives can enable and publish templates into Express while maintaining control and locking brand elements down; or whether it's the things that we're working on across the Creative Cloud and the Experience Cloud, around GenStudio for Performance Marketing, really enabling the monetization of someone's creative vision. That's really how we're shifting right. But we also talked about -- and this is something Scott has been saying for a long time, as he's been spending time with the creative community, is as some of these things like the rote work and the tedious work frees up time, we should and can expect creators to spend more time on the visioning side, which is why we introduced Project Concept. And that's something, as we mentioned, isn't shipping today. But you can expect it to start shipping in the next few months. We're very excited about what this looks like. Go to the next slide. Then if you zoom back out, everything we announced today is part of this broader plan and vision that we've been sharing with you. First, the foundation of what we're doing are these Firefly models. As Shantanu said, it's about training them responsibly in a way that's commercially safe. It's about control that we give people. It's about the integration that we enable around them. And it's about making sure that Adobe has the broadest set of offerings, from imaging to vector to design to now video. And by the way, when we talk about video, it's really video and audio. We also have capabilities around auto dubbing and lip syncing and all of these capabilities now are enabled in Firefly the model. And it's just going to continue to grow broader and broader. And they're the most creator-friendly models in the world. The second thing then is where do they show up? And the primary area we want to make sure that they show up effectively is within our core creative applications, Photoshop, Illustrator, Lightroom. And these capabilities showing up in there, we talked about it. 13 billion generations and counting. This continues to accelerate on a monthly basis. The vast majority of it are actually happening in the applications. So people are using the applications more, and they're using them more because they're more productive than they've ever been, and they can get more done. Express is also an area that we're seeing a lot of excitement. I don't know for those who were here, as you saw the Express demo, I hope you started to see how the Creative Pro base is actually getting excited about it. In fact, we even showed pro tips for using Express today. But it's also, in addition to everything there, we now have support for enterprise deployments of Express. We've done some great work so these creative professionals can leverage Express and push content out. Firefly Services, we've talked a little bit about this. It's about if you're going to create these models and you're going to give it to professionals and you're going to give it to everyone in the organization, you also recognize that sometimes you want to automate the content assembly and process for creating these ads. And that's really what Firefly Services does. We're very excited about this. Firefly Services is now at -- I think we saw a 3x growth quarter-over-quarter in terms of the number of APIs being called there. So we're starting to see real deployment now in enterprises, which is very exciting. We talked about, I think, Pepsi on stage. Pepsi was a great example of a campaign that ran on Firefly Services. But we have a growing list of customers around that. GenStudio for Performance Marketing. This is something that, from the creative side, this is one of those wonderful handshakes between an LME on the product level. This is where on the creative side, creatives want to create the content, they wanted to make sure that it's going and getting utilized. But they also want the feedback to know if the content they're creating is actually having the right impact so they can continue to iterate. And I'll let Anil share more about that. But that's really that closed loop system that, frankly, we've been talking about for a long time. It is shipping today, and it's really sort of connected in the creative flows. And then last, but I can't not talk about everything with Acrobat. You're seeing how well Acrobat's doing. One of the things that I do want to share is like Acrobat monthly active users is still growing. We just crossed 600 million monthly active users for Acrobat and Reader, which is amazing to see given how far we are. But you start looking at the utilization and the value of Acrobat, all the work we've done with partners like Microsoft and Google and others to get the proliferation going, and you see the value you're adding with AI Assistant. So just excited about all these things, and all of this wraps up into the point in time that you saw this morning.
Well, thanks, David. In Digital Experience, I mean, it's been a great year in terms of innovation for us. Digital Experience, as you all know, we're all about helping enterprise customers power their digital businesses. And we do that by helping them deliver personalized experiences at scale to their customers across the customer journey, whether it's customer acquisition, engagement, retention or then customer expansion. And the way we bring that together is you have to bring to them the right content that we've been talking about with the right customer data and make the journeys happen in any channel that your customers are at. And that's what we help do across a common platform. So we're uniquely positioned across what we do with the Experience Cloud and the Creative Cloud to bring together all of the elements of the content, the data and the journeys that are required, whether it's a B2C customer or a B2B customer, to deliver these kinds of personalized experience at scale in real time. If you're a B2C customer, it's hundreds of millions of consumers. If it's B2B customers, you have buying groups and you do it on an account-based basis across hundreds of thousands of B2B customers. And we're able to do both of those very well across our portfolio. What we have done with innovation is, across each of those elements, whether it's content, data and journeys, we had a great year in terms of innovation. Just to call out a few things, for example, on the content side, let me pick up on the GenStudio for Performance Marketing that, as David mentioned, is a great handshake between the Creative Cloud and the Experience Cloud. There, we see brands around the world really moving a lot of their marketing dollars from traditional channels to new channels, like paid social, digital media, connected TV, retail media networks. These are the kinds of channels where they can actually measure the performance of their marketing investments and tie it much better to the actual performance of what is working and not, and do that on a real-time basis. And GenStudio, by cutting across both the Creative Cloud and the Experience Cloud, really brings that together and taps into a very, very large market opportunity. So we're really proud that it's going GA, and we have -- as Shantanu mentioned, we have big ambitions for that. On the content side, again, our flagship is the Adobe Experience Manager, and we've had a tremendous number of innovations, including the incorporation of generative AI to be able to deliver content through websites and other channels, through the Adobe Experience Manager on a personalized basis. In addition, we've also been helping improve the end user experience through innovations like Edge Delivery Services, which really make sure that every single user, you can get 100 on your Google Lighthouse score, which would be the pinnacle of the right website experience for every brand out there. On the data side, the Adobe Experience Platform is continuing to perform extremely well. And we are on track with the Adobe Experience Platform and our native apps built on it to be a $1 billion book of business by the end of the year. The Adobe Experience Platform, we incorporated generative AI, but we did that with the same framework that Shantanu talked about, the apps, the models and the data, so that it is designed to be commercially safe. And enterprises can deploy that in the context of these customer data journeys and get their use cases going much faster in a well-governed, trusted manner. And that launched earlier this year. We've also introduced the Adobe Experience Platform Federated Audience Composition, which is when you have data in enterprise cloud data warehouses, like many of our customers do, to be able to take advantage of that data for customer activation, to be able to have the right data available to personalize customer experiences without making a copy of the data. And that really obviously is way more efficient and effective as well. That was another major one that we launched this year. And in terms of journeys, our flagship product is the Adobe Journey Optimizer which is built on top of the experience platform. And the Adobe Journey Optimizer, we released this year the B2B addition, so that it can take advantage of the knowledge that we have in our applications like Marketo for B2B customers and bring them into the Adobe Experience Platform, again, provide personalized customer experiences to B2B customers as well. So I wanted to give you a sense of some of the highlights of this year's innovation.
So thanks, Anil. As you know, we've got a great track record at the company of executing, and we consistently execute well relative to the targets that we set. Q3, no different, and we exited Q3 with strong momentum. We're seeing that momentum carry into Q4, quarter's off to a good start, so we're reaffirming the Q4 targets. We remain confident in our ability to deliver another strong quarter at the company. So given the massive technology inflection that's happening right now, we spend a lot of time being thoughtful about the framework we're using to drive our growth agenda at the company and the altitude with which we want to talk about it with investors. Our strategy, it hasn't changed. We continue to be focused on delivering AI innovation across the entire AI stack, from data to models to interfaces. And now we're going to provide clarity on how we're going to monetize that strategy. So we're going to monetize AI in 4 distinct ways at the company: First, through new value in our subscription plans; two, through [ add-ons ] to our offerings; three, tiered offerings in the enterprise; and four, through new AI-first standalone offerings. And we continue to invest to win at the company. We've got a pervasive footprint with our customers, and we're going to leverage that pervasiveness to natively and deeply integrate these proprietary AI capabilities throughout our entire suite of product offerings. Secondly, as we bring our clouds closer together to solve those higher-order customer problems, it creates significant and lasting differentiation for us in the market. And lastly, our scaled go-to-market motion. It's ideally set up for those cross-cloud engagements with our customers. And we're scaling our partner ecosystems so that we can serve and support our customers even better. So taking a step back, we've been thinking a lot about the agenda for driving growth and aligning it with how we guide the business. And as you can imagine, as part of that ongoing process, we've had a lot of thoughtful discussions, both internally and with investors, over the past year. So netting it out. No changes to how we guide revenue and EPS. ARR. ARR remains the best lead indicator of the performance of our Digital Media business. However, ending ARR year-over-year growth as opposed to quarterly net new ARR provides better visibility into the true underlying longer-term trajectory of the business. Each quarter, we're going to continue to report ending ARR. You're going to get the same visibility that you do today when we report the business. And we're going to break that ending ARR out by both the Creative and the Document Cloud businesses. And in addition to those formalized set of targets for the company, we're going to provide additional information to help model the trends of the business, things like operating margin, tax rate, share count, et cetera. In December, at our earnings, in addition to the annual exercise we go through today, where we take that exiting ARR book of business and we revalue it at next year's currency rates, we're going to go through the additional disclosure, the additional work of taking that same approach each and every quarter of FY '24 so you get that good baseline of FY '24 [ to compare ] performance in FY '25. Lastly, at Summit. Summit this year, we talked about giving more product-level disclosures that represent how we're leaning into the technological inflection that's shaping the end markets. More work to be done on that, but we're definitely thinking more about how we give more of that product-level disclosure to give that -- you visibility on the performance of the business. So with that, Shantanu, any final comments before we come to Q&A?
No. Let's open it up to Q&A. Yes.
All right. Let's do Q&A. I'm going to -- we're going to take the first one from Jay Vleeschhouwer here, the other JV in the room. As I know he's going to role-model a single-part question, being as concise as always. Go for it, Jay.
Thank you, JV. So David referred to your closed loop system which is manifesting something you've started talking about 3 or 4 years ago when you referred to the evolution of the creative stack to become more deeply collaborative and so forth. So you've done a lot of that within DME and across the DX. The question that brings to mind though is what is your vision or intent for go-to-market? In the last few months and quarters, there have been some very interesting internal indications of where you're investing: strategy, mid-market, SMB, Firefly, of course, Workfront and so forth. Dan mentioned partners. So for all that you're doing now expanding the portfolio and the reach of the portfolio, how are you thinking about the composition and capacities of go-to-market?
Yes. I mean, first of all, one of the things I think we have the privilege of having built over the last 40 years is maybe one of the most diverse and, I guess, geographically distributed go-to-markets, I think, that you can possibly have. And that serves as a really powerful foundation and machine. So whether it's what we do on adobe.com and everything we've done in terms of our digital data-driven operating model in DDOM, whether it's our at-scale inside phones team and what they're doing globally, both in terms of taking inbound orders and then also going after outbound orders, whether it's our channel and the foundation that they provide. Or on top of that, we have a corporate sales organization that's focused on what you typically call mid-market companies. And then you have our enterprise sales organization that's speaking to everyone, from our -- the creative directors and to the CMOs in the world. So that breadth of foundation of how we go to market continues to stay. Now a few areas that we're -- because of what we've done and how we've approached the market, that we have an opportunity to make outsized investments in. First is now, we do have a very broad set of offerings that -- compared to a couple of years ago, around web and mobile. And if you think about Lightroom web and mobile, you think about Express web and mobile, you look at where we are with Photoshop and also the things we have now on Photoshop with iPad support, all of these capabilities now give us -- our Acrobat web and mobile. They give us this ability to actually invest a lot more in social, which is why we are so obsessive about the 500 million social interactions that we want to see come out of this and actually journey people to our applications in the App Store. That foundation of what we've done, I think, is an area of outsized investment. Then in terms -- in addition to that, we have the ability now with Express, even in small businesses, to reach outside of the creative teams, right? So our phones teams are calling into organizations and doing attach motions. When they're selling something like Creative Cloud or Acrobat, they're actually now saying, "Hey, let's also talk to your marketing or HR or comms teams or sales organizations." And we're reaching more broadly beyond that. But certainly, the last -- the second to last part I want to talk about is enterprise. We're seeing a lot of joint deals now. And certainly let Anil also share, or maybe our salesperson #1 with Shantanu, share a little bit here, too. But there's such an opportunity, when we go to these large-scale organizations and they recognize the demand for content and the need for personalization is through the roof. And as we do that, it's really about these 2 clouds coming together. And the last thing I will just say, which I think is really important because it is a muscle that we've developed in some areas, but we're expanding more broadly, is in product surfaces, right? We talked about Acrobat now has 600 million monthly active users, right? We are -- and other applications also have very large bases of monthly active users, both free and paid. These surfaces are now also available to us to do more cross products we've ever had before because, again like I said, Express is a knowledge worker tool as much as it is a creative tool. And so we're starting to leverage those things. In fact, if you have Acrobat, open it up, go to export, and you'll see that you can now export directly to Express documents as well.
Maybe I'll just add a couple of things to that, Jay, which is just some terminology so that everybody has -- as David said, we have digital, right? Digital reports all to David, and it allows anybody who wants to buy Creative Cloud, Express or Document Cloud to transact on adobe.com, which, as you know, is becoming increasingly the part of the business. David runs field, what's called field, which again, as he described, it's the channel partners who are selling our stuff; it's phones; and it's everything to do with what we are doing for corporate, which is a set of enterprise accounts at a certain size. So channel, phones, and the corporate accounts. I think if your question is all around primarily the large enterprise and how we're going for the large enterprise, that's what Anil runs, and that is all with GenStudio. Whatever is in the bill of materials, whether it's a Creative Cloud, whether it's Express, whether it's AEM assets or whether it's AEP, we have now the ability to transact all of that. In fact, a number of us, once we finish this, all the customer events, and so that's a big advantage. Because whether it's Firefly Services or whether it's Creative Cloud, whether it's Express, whether it's Acrobat site licensing, that all happens under Anil in a unified way, including the same segmentation that Anil has talked to you in the past about transformational accounts versus non-enterprise accounts. So I think that's working actually, as David said, incredibly well.
Okay. Next question. Let's go with Michael back here, second row.
It's Michael Turrin with Wells Fargo. Great keynote. Great event. I appreciate the slides. Dan, the move to ARR on an annual versus quarterly basis at this scale makes sense. The question we're going to get is just on the thought stream that you've used in terms of newer metrics. And so maybe you can spend some time just on, if not those metrics today, what the key attributes you're seeing that the market might be missing? And just kind of tie back to the thought process, at least for now because I think it's very important.
Yes. So as you think about the amazing amount of innovation that we've got on display, Firefly is a little older than 1 year. And then you think about the product integrations. And when you think about the innovation that we're bringing to market, different versions of the model, different points of integration, bringing our clouds together to solve those cross-cloud problem statements for our customers, there's a lot of innovation, a lot of experimentation that's ongoing right now. When we take a step of putting that metric framework out that's more product-driven, we want it to be the things that stand the test of time so there's a real consistency with the framework that we put forward. Right now, there's just a ton of innovation that's coming out. We're engaging with customers in new ways. We're building out the freemium part of the funnel, engaging with customers in different ways. And again, more of those cross-cloud selling in the enterprise. We just want to make sure that what we lock on is really reflective from a broader set of metrics that stands the test of time and reflects really where the company is going so they become the true lead indicators that investors can lock on.
I appreciate you stating that people really want the big picture. Just wanted to clarify, as Dan said as well, first, there's going to be complete transparency about reporting what the book of business ARR is, both in Document Cloud and Creative Cloud. So I wanted to clarify that, that definitely existed. And as you point out, we're hoping that people will really look at the trajectory of the business and the scale of the business on an annual basis. So I think in terms of your other question about how we're thinking about it, one that comes up is AI monetization, right? That one is one where, again, that's why we try to give you color that it's embedded in every part of the business. I mean, it's embedded in subscriptions. Much like we did with AEP and give you a sort of insight into the magnitude of the business and how successful that is, I think we've thought about GenStudio and how do we give you a success on that as well as the second one is Express. And people are saying, "Hey, give us some indication." So hopefully, that's on the right track as it relates. I think at Summit, that's why we teed it up. And when we do our FA meeting, those are the 2 other areas where our perception is. And continuing to give you like monthly average users statistics as David did on Acrobat. So hopefully, that gives you a little bit more color on how we're thinking about it.
Let's go with Saket here.
Saket from Barclays. Shantanu and Dave, I think we've touched on sort of the idea of Firefly Video being priced differently, maybe more as a subscription as opposed to being more credit-driven. Maybe the question is, what was the thought process on that? What are the other examples that you looked at internally? I mean like stock comes to mind. Maybe the AI assistant for Acrobat. There's so many examples. But what are some examples you looked at as you thought about those 2 pricing paths as well as trying to maximize value for both Adobe and for customers?
I'll start, and then maybe, David, you could go. I mean, first, I think even when we introduced imaging and vector and design, we were like we want people to embrace it. And we thought there was way more value that would accrue to both customers and to Adobe, as you said, by having that as part of the subscription base and by increasing acquisition and retention because we're still in the game of how do we attract more and more people to our platform, whether it's through Express, Creative Cloud or our other products. So that was very clear. Video is different because of the cost associated with it as well. So with that, why don't I hand it over to you, David, to describe how we'll monetize that?
Yes. Sounds great. And again, I think Dan also said this earlier, and Shantanu mentioned it, we're early in understanding all the dynamics for monetizing this. And I think something we've told you multiple times in the past is that our primary focus has and continued to be around proliferation and monetization, these are things we're continuing to test. So as you mentioned, with imaging and vectors, we baked it into the core capability of the products, and we're making sure everyone is using it. You saw the value. And as part of the growth driver is we put more value, we were able to do some price associated with that value, and it's the usage drives better retention. It's the whole growth driver. And because the usage is so good, onboarding is easier, so conversion rates are better. So it gives us the growth driver to bring in new customers as well. Now Acrobat, we obviously did a very different playbook, which was to basically say, "Hey, look, this is a specialized capability on top of this, and we want to charge for that out of the gate." And we see the dynamics there. Both are working in very different ways. We look at video and we say that it's closer, frankly, to the Acrobat model in the context of it's a more specialized task where people get more direct value out of it in the medium term that can be more easily measured, and it costs us more. And so that whole calculus went into looking and saying, "Really, this is probably a plan or maybe a tier of plans that we can introduce that's closer to the Acrobat side than the other." And I don't want to forget Firefly Services, right? Firefly Services, I mentioned 3x growth quarter-over-quarter in terms of API calls. That's based on some subscription basis based on tiered consumption model. So we're going to try all of these things, and we start -- we're all learning a lot as we go. And we're getting more and more confident in terms of how we roll these out.
I would just underscore -- go ahead. I was going to underscore one thing, which is it's funny. I mean a couple of years ago, we were in this comp era of AI, where it was almost like, oh yes, it would just be generative credits, and it will be simple. But now, I mean, you saw an example of a product today, Project Concept where it's literally hundreds of generations happening behind the scenes for people to explore all sorts of nooks and crannies of their own mind. And so I'm happy that we're also, to David's point, learning. And we're waiting for a very durable approach based on what we're realizing works for the customer because we're in the early days, right, of this transformation. And what's clear though is the customers are getting a lot of value, and we're starting to get closer and closer to exactly how this is going to manifest across our products.
The last thing I would just say is, even with video, though, the reducing of friction so that there will be an allocation for people to come in and try it out and experience the magic is definitely part of the strategy because we'd be crazy not to allow people to try one Generative Extend and say, "Oh, my God, I'm not going to be able to live without it."
Okay. Next question. Let's go with Karl back here in the middle row.
Okay. Karl Keirstead at UBS. First of all, I want to say that for me, the star of the show this morning was not Firefly, it was the what's up homie guy. If you can have him back next year because I love that guy.
He's hosting the party later. We'll tell you where it is.
Okay. Okay. Good. So maybe my follow-up to Michael's question to Dan around the ARR change. It was really more the why. Did you and the team just feel like Adobe is at a level of maturity where you didn't need to be giving that metric to that level of detail? Are you reacting, Dan, to the stock volatility that comes from giving that on a quarterly basis? Or is something changing in the business that makes it harder for you to guide to that metric, and that's what's motivating you to give it on an annual basis? Just hoping you could unpack your rationale.
Yes. So we'll never react to stock price volatility. We'll always take a substantive approach to how we want to drive the growth agenda at the company. And then we want to be able to provide a set of metrics around how we're driving and managing the business that best reflect the trajectory, the go-forward trajectory. At the core of it is just transparency and trajectory. As Shantanu said, we're still going to have all of the information on the business that you currently get today as part of actual results. So it's all going to be there. But I do think the longer-term growth trajectory of the business is better reflected by that year-over-year growth than maybe a precision around whether $10 million flows into one quarter or another. The trajectory of the business is unchanged by that dynamic. And so we really want to elevate the investor focus on what the best indicator of that true long-term growth trajectory of the businesses. And we think ARR. ARR is a great indicator of that future performance. Just looking at it on an annual year-over-year basis, we think, elevates the focus to the right metric. And I had a couple of conversations throughout the year, frankly, where investors who know the story a little less well have lost the plot. They're like, why is your creative business down? Like our creative business isn't down. It's growing double digits. And the [ perplexed ] look on their face, not understanding, have lost the plot. So this is about understanding how we're going to grow and drive the business, what we think the best metrics are to underpin that growth trajectory and elevate the conversation so that we don't lose sight of the fact that this is a large business growing nicely double digits with a lot of innovation and tailwinds behind it.
We also are very clear that, as part of every quarter, your first question is going to be how are you doing relative to the annual targets, and we're going to give you color associated with that business as well. So yes.
Okay, next question. Let's go with Mark right over here.
Mark Murphy with JPMorgan. Jonathan, you're leaving right when you have the opportunity to take that safe harbor statement and animate creatively and be the first company to do this. I wanted to ask you, Shantanu and David, the video demos were pretty amazing in there this morning. And I'm curious, outside of the IP protection, where do you see the limitations or Achilles heels of some of those competing products or runway? Is it more -- is it the fact that they can't keep the content on brand or they can't handle vectors? They can't handle different camera angles? Is it the collaborative side of it? And just at a higher level, do you see more of a competitive moat for Adobe in video than what we've seen so far with images? Or could you compare and contrast the 2?
Both David, Scott, Anil and I spent so much time with our research people just trying to understand the state of the art of all of the stuff, Mark. And I mean, just first, let me take my hats off to our teams and what they've been able to accomplish. I think the way you define the problem statement, I think, in many ways, determines what technology comes out. I think what everybody has looked at is text to image or text to video or text to whatever. And that's where sort of most of the models are focused. Our focus really, and the person who heads up all of the stuff is also in the room, is all about how do you control it to accomplish something in a feature that makes that feature magical? So I think if you ask us where our technology is really differentiated from everything that's out there, in all these models, we use this term in the company, they're all going to have a certain personality. And we have the benefit of actually taking advantage of all those personality in our applications. At IBC, we actually showed you in Premiere. You want to use Runway? We're partnering with Runway, great. It may do something really well. But I think it's in the aggregate, looking at what people want to do with video workflow, people want to -- what they want to do with imaging, what they want to do with artwork, animation, I could go on and on, 3D. That's where I think our secret sauce has really been. The other one is this data angle. It's a much, much, much harder problem to solve when you're not allowing people to scrape the Internet to build the kinds of models that we have. And our teams have done that. But if I go to an enterprise today, and I say, "Hey, you can give us all your assets, and we will help you create a custom model." That's the other part of the business. The interest in that one and the way people are using that is also very unique because they all come to us, "Great. We're using our products. We can create a model for just our company." And now that stuff works also within GenStudio. So within GenStudio, you can actually say when somebody is creating a web page or somebody is creating a campaign, use my model. So much of that. Again, I keep saying this. All the interest appropriately from the investor community is in the training of the models and the models right now. Unless that's switched to inference and usage and workflows, people aren't going to get value out of it. And I would say that's where we focus so much right from the beginning. And that's where we'll keep differentiating ourselves. But if somebody else has a great model, we will integrate that within our applications and make that stuff available as well. I mean, in fact, in the concepting stuff that you've shown, we have the ability to take a lot of models. So I don't know if that helps answer the question. But I think on each of those levels, we've thought about it deeply. We've thought about how we can help both monetize and really differentiate ourselves.
If you take a step back, I mean, the way we -- I think you can think a little bit about this, too, just sort of make it a little bit more soundbite-y is a picture is worth a thousand words, and a video is worth 1,000 pictures, right? Which basically tells you that prompting and text and language is a very inefficient way to communicate what's in your mind's eye onto the screen. It's beautiful. It's magical. We all love it, right? And in fact, one of the best reasons it's so good for concepting is that sometimes it doesn't tell you what is in your mind's eye. And in fact, you get inspired by what it does produce. So when you have something you want to create, these models have to be connected to the tools that we're using. And the APIs we build, the way we integrated them in the tool, is purpose built for that. It's not -- there's no [ off the shelf ] model that could do what we do in Photoshop and Illustrator and Premiere and these kinds of things.
And on the enterprise, just picking up on what Shantanu and David said, the clear advantage for us is to be able to integrate this into the context of what marketers want. In any marketing department or any brand, the marketers are working closely with the creative teams. And they want to produce assets and content that is on brand, that follows all the guidelines that the team has, and take advantage of the creative output of the creative teams. Being able to bring that together, whether the creative teams are doing it in-house or they're doing it with agencies and other partners, being able to bring all of that together at the speed at which you want to have social marketing, performance marketing, that's the unique ability of what we have.
Maybe I'll just spend 5 more minutes, I have a few more minutes on GenStudio. I mean the power of GenStudio, we have hundreds of people already using GenStudio within the company. So somebody creates one template for what they want to do with the campaign. If you go and you want to put it on Meta, they will tell you, give us more and more assets because you have no idea which of those assets are going to perform quicker. So again, that's where this AI, we have your model, we have your brand guidelines. We can create as many variations as you want. We can immediately activate it by -- that's why we showed integrations already with, what, TikTok, Snap, Google, Microsoft, Meta, and expect to see a lot more. So suddenly, it's become this incredible channel for all of them in terms of actually taking every piece of content that they want and understanding the efficacy of it. So that's, again, the excitement on GenStudio and beta customers who are like, "We want that and we want that across every single thing that we do at that pace." As well as with agencies, because agencies can now say, "I can offer every one of my customers a custom model for them and help us with the content creation process between the agency and the enterprise." So I think a lot of it is really bringing this stuff together in a very creative way.
Let's go to Gregg back here.
It's Gregg Moskowitz with Mizuho. Great keynote as well. A couple of quick ones. So I know -- and maybe this is for Scott or for David. I know there's a real cost attached to video, but are 5-second video clips the right link? Or are you working on extending that in the future? Some customers do seem to think that having upwards of 10 seconds, for example, would be more additive to their creations. Secondly, I think the interplay that exists between Firefly Video model and Premiere Pro is really interesting. And I'm wondering if you think that once it GA, that the Firefly Video model could catalyze additional sales of Premiere Pro for those customers who are not on an all-apps plan?
Yes. Well, one thing I would just say, and I think it relates to the previous question as well, is we're going to customers now. Like their laundry list for us is really around controllability. I mean, of course, they want better and better models, but they're really saying is, I want to be able to make a personalized video for my million customers, and I want to send it through GenStudio. And I want to do this, and I want it to be translated. And so the -- as the laundry list controllability gets longer and longer, that's exciting for us because it's not just about the next best video model, it's about what you can actually do with it. So that's one comment. You asked about the time of the actual generations. I mean, listen, of course, you're going to be able to generate longer and longer clips. When you look at animation and sort of rough cut, B-roll type exploration, it's certainly easier to do longer pieces and high fidelity sort of final footage. I'm sure that will come. One of the things though that we're looking at with our customer base is they're saying, "Hey, listen, like I want to be able to really have immaculate level of precision and control." And I think that they're looking oftentimes to fill little clips or remove objects from video, do special effects, all that sort of stuff, which can be done like layered over the video that you have or in smaller clips. But you could certainly expect it to get longer.
Yes. I think length of video, absolutely. Up-res of video, absolutely. Deeper integration of tools, absolutely. And so the teams are working through all 3 of those vectors. Maybe a couple of quick things. Do we believe that people are going to be using these out of line to create B-roll? Yes. And we're going to enable that to happen. On the Firefly website, people can do it. But I think the real magic is the integration, as you were getting at, into Premiere and After Effects and Express. Because as we integrate these into the tools that people are using, we do see a fundamental increase in productivity. Just like we saw in Photoshop, just like we've seen in Illustrator, just like we're seeing in Lightroom, these features pop to the top in terms of usage in our apps like nothing we've ever seen before. And integrating this into Premiere, I think, will be another great example of that. The last thing I'll say is you saw the concept demo today predominantly around imaging. You can imagine, in fact, we've shown some folks this as well today. You can imagine pushing that a little further into video and to recording and things like that. So there's a really broad list of things that we can take to video producers. And it is a really important point that, that is an industry that you remove a little friction of, it's high measurable value to them.
Okay. We'll go with a question here in the front row with Jackson. And then I'm going to pass the torch over to Steve to maybe take one more before we wrap up.
Jackson Ader at KeyBanc Capital Markets. You mentioned the data-driven operating model. And as I think about DDOM for Firefly, less than a year old, whereas the DDOM is many years old, right? So what are some of the inputs that go into some of the decisions you're making on credit limits or pouring on the marketing expense for some of these new product launches within the framework of a DDOM for a new use case that's pretty new to Adobe?
You want to take that CMO? Do you want me to? So one of the -- so first of all, a lot of what we do resides around DDOM. And because of these new capabilities, Firefly for sure, but then also the web and mobile introductions that we've been talking about. Two things that happened with DDOM as we look at it. One is we've broadened it in terms of the top of funnel. so we used to very much focus on marketing and awareness, and then we would capture a lower funnel interest, like someone searching for Photoshop or someone searching for Lightroom, and bring them into our applications. But because of the way we're doing it, because we have so many different points of value that we can bring people into, we've broadened it to now go after category volume. So if someone just says generative video editing or someone just does these nonbranded searches, it's an opportunity for us to really look and be much more aggressive across the surface area that we're grabbing and sort of educating the market on at any given time. The second thing is if you're going to do that, then you have to really go deeper into the product-led growth motions in the products themselves. So if you're bringing someone in that was just doing a broad-based search, and you bring them into a product that doesn't give them exactly what they're looking for in that given moment, like make a fire, take them into Express and open it up into an environment where they can just make the fire and go. Or similarly, if someone is looking for image generation, take them directly into Firefly and let them use it. And then, of course, all the closed loop marketing to bring them back and engage them on an ongoing basis. So DDOM has expanded, yes, because of Firefly, but also because of our focus on web and mobile more recently.
I would say -- I mean, the reason DDOM is a gift that keeps giving for us is that it represents 2 fundamental things in the company. The first is the customer sort of fun, correct, as David said. And second, a vocabulary, where we can, for everything that we're talking about, have the data associated with it to tell us where the data is. And so within the context of Creative Cloud and Document Cloud, it was everything around how are they discovering, try, buy, use and renew, that we've talked to you about a lot. And as David said, it's the same on Firefly, which is on Firefly, who is the customer? Is it a developer who wants to try it out and embed it in the products? Is it the head of content for a major enterprise who wants to know, what's the message associated with? If I use Firefly, how am I being differentiated? What's the usage? What are they seeing? And so again, fundamentally, it's a way of representing the customers with a narrative and data in a company that allows us to have the rich conversations that we have. And that's why, from my perspective, it's the gift that keeps on giving. And from my perspective, the level of sophistication that's gone into DDOM in every part because each country could be different in terms of how this is working, but it allows us to scale the business in a very predictable way.
And I think we'd be remiss not to mention that it's all Anil's technology that's powering all of this. Everything from -- everything we're doing with the segmentation to the journey work, all the way into some of the real-time decisioning we're making in the products and the marketing.
Anil's only issue is you're not paying [indiscernible], you're getting it all for free. So apart from that, it's a magic that it's creating.
I'm going to pass it over to Steve to take one last question and then wrap up. Steve, with great power, well, you know how it goes.
This responsibility is huge, right. Any hands? I will take this handsome devil in the front here. You can get this mic.
That's great. An honor to have the first question from you, Steve. So I'm Stefan Slowinski from BNP Paribas. Just wondering if we could get an update on Adobe Express. Anything you can talk about there in terms of number of users and also what you're seeing in terms of customer journeys? You're starting to see any customers move up into the suite? Or conversely, any single-app customers coming down into Express?
Yes. Happy to take that. So a few things. I mean, if we -- as we look at Express, the way we think about the go-to-market is around how do you target solopreneurs and small businesses? How do you really go after education? And how do you go after businesses -- larger businesses and enterprises? So all of our go-to-market motions and activities are around that. For solopreneurs and small businesses, it really is around the data-driven operating model and how do we reach them in broad ways. This is also an area, though, that we're able to deploy our phone sales teams, right, and our channel. So leveraging that, we're starting to see really nice uptake and broad proliferation there. Education, we had an amazing back-to-school just now. We've got, I think, it's something like 25% of the U.K. we did, as an example, now entitled -- university students entitled to have access to the Premium version of Express through their schools. We're doing similar things to drive proliferation in the -- and all the way down in K-12, schools are being very, very aggressive there. And then in enterprises, too, this is an area that as we talked about on stage, Express is a great way of creating content, but it's also a great way of collaborating around content. And we have a lot of great examples and case studies that we're posting in terms of large organizations that are adopting this. Everything from very large agencies working internally and with their customers to some of the largest brands in the world. So we've been actually very pleased with the growth there. Just to give you a little bit of how we're thinking about broadening the go-to-market even beyond our core wells, I mentioned already integration into Acrobat because we think every knowledge worker should be using Express. Everyone should be deploying rich digital content. So we're integrating it more and more deeply into Express. It's already integrated deeply into GenStudio for Performance Marketing, where we're looking at ways of pulling it into AEM and pulling AEM data into Express, so all of these internal capabilities. But we're also -- we've announced a partnership with Box. We've announced partnership with Wix. We have a whole host of third parties that we have announced with. And if you look at all of the surfaces that Express is now embedded in, those surfaces represent a reach of about 1.3 billion users that we can then start to now, again, apply a very different type of data-driven operating model, about optimizing their ability to discover, understand and onboard into Express. So we're taking all of the foundation capabilities that we have, and we're putting that in there. But partnership is also a key part of how we do it.
I'll let have -- Steve have the last word. But I just wanted to again say thank you. Thank you for those who made the trek to come. There's nothing that describes, I think, the -- what Adobe does and the response as being at one of these places and hearing what the excitement is from -- on behalf of the customers. So really appreciate all of you taking the time to be here with us. And we certainly look forward to sharing more at the December earnings call. But with that, again, I will say thank you, Jonathan, for all your contributions. Steve is a very experienced and senior hand, has been with the company for many years, does all of our Digital Experience FP&A. But why don't you describe a little bit about yourself, Steve, as well? And...
Yes. So what I was going to say was, firstly, thank you, everybody, for coming. We do appreciate the questions and continued dialogue after an amazing keynote that we had this morning. Yes, I'm sad to see JV go. It puts more work on my plate, but that's okay. I've been with the company for just over 18 years now. I've been in numerous different financial leadership positions, both here and abroad, if you couldn't tell from the accent. And yes, currently, I'm CFO of the Digital Experience business unit as well as I run the corporate finance organization. So I am looking forward to the conversations that we'll have over the coming weeks and months. And as Shantanu said, we look forward to speaking with you again at the earnings call in December and also at our Investor Day at Summit coming next year. Thank you.
Thank you for joining us.
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